Bender said:
I'm currently on my first go around of Breaking Bad, but will definitely need a new stock of shows soon. I really should also finish the Wire... Does the Sopranos hold up?
I saw it when I was Meadow's age, and it was a good mob show and character study of a bad dude. Now that I'm more like Tony's age and my folks are like Livia's, I thought I'd make it the pandemic watch, and I found it to be a lot richer. Besides the hilarity and horror of the family dynamic, the whole America-circling-the-drain thing is much more deeply felt in the 2020s (we are in it, baby!).
Main thing I noticed watching it was how it looks in comparison to everything that came after. We've all seen a lot of shows made in the wake of
The Sopranos, prestige dramas like those you've listed, but re-watching it I'm really struck at how much
unlike those shows
The Sopranos is.
Part of it has to do with the attitude toward the characters.
Breaking Bad, for instance, really was impressed by the terrible glory of Walter White and made Jesse Pinkman a tragic figure; Tony and Chris are, among a
few other things, just kind of awful, miserable people. But besides an appropriate level of contempt for the characters, the writers never impose any limits that'd be dictated by their narrative functions and are given lots of freedom to just write great bits. Give me AJ on Nitch over anything to do with Walt Jr.
The most fundamental difference had to do with how episodes are structured and function within the season, however. The sophistication of a lot of "quality TV" comes from plotting season-long arcs -- certainly the dangerous situations Walt got into and the ways he extricated himself were the most compelling parts of
Breaking Bad -- whereas
The Sopranos, at its best, felt like a series of self-contained, carefully structured, thematically unified short films that stand on their own as great hours of TV. "Pine Barrens" obviously, but also, and more impressively since they do the season-story work too, "University" or "The Ride."